“All’s Fair”: Kim Kardashian’s Legal Drama Lands with 0% Ratings

When “All’s Fair” debuted on November 4, 2025, with a cast including Kim Kardashian, Sarah Paulson, Glenn Close, Naomi Watts, and Niecy Nash‑Betts, the expectation was hype, glamour, and powerful storytelling.

Instead, critics pulled no punches. At the time of writing, the show holds a 6% critics rating on Rotten Tomatoes with 18 reviews, or, in some reporting, a rare 0% depending on how many were counted.

What Critics Are Condemning About the Kardashian Show

Reviews centre on the writing, performances, and tone. The dialogue is described as hollow cliché, the characters as mere mannequins in designer clothes, and the show’s take on feminism as superficial or even cynical. One critic called it “existentially terrible.” Despite being produced by Ryan Murphy, known for big-name dramas, “All’s Fair” was called a “crime against television” by one reviewer from The Telegraph.

Kim Kardashian’s performance came under particular fire. Some reviewers argued she was miscast, with one saying her acting was “stiff and affectless, without a single authentic note.” Meanwhile, the supporting cast — veterans of stage and screen — were largely considered wasted in the glamorous but empty mill of the series.

Audience Reaction Vs. Critical Reality

While critics were nearly unanimous in their disdain, the audience response has been less brutal — though still tepid. The audience score on Rotten Tomatoes (Popcornmeter) sits in the 50-60 % range, suggesting some viewers found value or at least entertainment in the show’s glossy excess. The contrast raises a question: Is “All’s Fair” simply a show critics hate because it tries hard to be flashy, or is it one that many viewers watch knowingly for camp and spectacle?

Why It Matters

The drama of “All’s Fair” isn’t just on screen. It highlights a broader tension in modern TV: the collision of celebrity branding, streaming-era binge culture, and serious themes (like divorce law, female empowerment) that may not always be handled with depth. The fact that a show with so much star power and production value can land with such a thud suggests that viewers and critics are demanding more than glamour and names. They want story, substance, and authenticity.

The show’s failure doesn’t necessarily spell doom for Kardashian or Murphy, but it underscores that hype alone doesn’t guarantee quality or resonance. For fans of any cast member, or for viewers who enjoy high-camp legal drama, there may still be something to glean — but the consensus is clear: for many, “All’s Fair” missed the mark.

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